Mercury Ariana Reines

Published by Fence Books, New York, 2011, 128 pages, 16.5 × 22 cm, English

Price: €17

Composed in the direct, accessible, consciousness-piercing style of which readers of Ariana Reines’ first two books are wildly enamoured, Mercury comprises a group of long poems. These interlocking works speak to the substance and essence of what is said, transmitted, transacted, “communicated” between persons. Reines proposes that substance and essence are opposites, and explores this in contexts including commercial cinema, the nation-state, currency, alchemy, and internet porn.

#2011 #arianareines #poetry
Selected Poems Mary Ruefle

Published by Wave Books, Seattle, 2011, 176 pages, 15.3 × 22.7 cm, English

Price: €16

Now in paperback, a career-defining retrospective by a much-beloved contemporary master. Mary Ruefle’s Selected Poems gathers together the finest work from her distinguished and inimitable poetic career, showcasing the arc of her development as one of the most brilliant, expert and hilarious practitioners of the art. Anyone who wishes for poetry to be both richly challenging and thoroughly entertaining, need look no further than this capacious retrospective.

#2011 #maryruefle #poetry #wavebooks
How Do I Make Myself a Body? Henrik Olesen

Published by Hatje Cantz, Berlin, 2011, 212 pages (colour & b/w ill.), 21.2 × 29.9 cm, English

Price: €40

Produced on the occasion of the exhibition Henrik Olesen – How Do I Make Myself a Body? Malmö Konsthall, December 4, 2010–January 30, 2011 and Museum für Gegenwartskunst, Basel, May 14–September 11, 2011.

Edited by Jacob Fabricius and Nikola Dietrich. Texts by Nikola Dietrich, Jacob Fabricius, Lars Bang Larsen, Judith Hopf, Ariane Müller, Antonin Artaud and contributions by Kurt Schwitters, Antonin Artaud. Designed by Martin Johansson and Henrik Olesen.

#2011 #hatjecantz #henrikolesen
We Are The Artists Marc Nagtzaam, Roeland Zijlstra

Published by From Me to You Publications, Antwerp, 2011, 32 pages (b/w ill.), 13.5 × 20.5 cm, English

Price: €8

For this booklet Marc Nagtzaam selected a series of drawings by painter Roeland Zijlstra. The pages are filled with drawings of men and women, often in unflattering poses in a day at the beach. To these scenes of unabashed and carefree amusement Marc Nagtzaam has added a series of quotes by artists, taken from various art magazines. The juxtaposition of this contrasting material results in a playful and surprising publication.

#2011 #marcnagtzaam
Script opposition in Late-Model Carrot Jokes Michael Portnoy

Published by Objectif Exhibitions, Antwerp and Wilfried Lentz, Rotterdam, 2011, 52 pages (colour ill.), 18 × 29.7 cm, signed, English

Price: €100

Carrot Jokes are a genre of dense, joke-like texts first proposed by cognitive linguists Chlopicki and Petray (1981) to undermine emerging computational models of humor analysis. These jokes, further developed by others in the field, depend on a preponderance of background incongruities, blunt omissions, faulty script switch-triggers, “gray” implicature, and missing links in inferencing.

Michael Portnoy’s practice spans dance-theater, vocal power-tools, Relational Stalinism, reptangles, abstract gambling, the improvement of biennials, and Icelandic cockroach porn. His art circles the rules of play and communication – language itself playing a crucial role in the works.

#2011 #artistbook #michaelportnoy #objectifexhibitions
Karel Marten OASE/

Published by The Narrows, Melbourne, 2011, foldout poster (colour & b/w ill.), 10 × 21 cm (folded) 30 × 42 cm (unfolded), English

Price: €6

Poster/invitation produced on the occasion of KAREL MARTENS OASE/, April 6 – 21, 2011, Faculty Gallery, Monash University, Melbourne. Curated by Warren Taylor.

The exhibition focused on Martens contribution to the graphic style of OASE, Journal for Architecture. From 1990 (Issue 28) Martens took over the art direction of the journal, often working with students from the Werkplaats Typografie – an experimental typography school he founded in 1998 with Wigger Bierma. What began as a student magazine, evolved into an international professional journal in which a reflective and critical approach to architecture, urban design and landscape architecture is the mainstay. Recently celebrating its 75th issue, the success of OASE is, in part, due to Martens refined graphic statement, often absorbing his print and typographic experiments and upholding the dialogue between graphic design and architecture.

More information on the exhibition can be found here.

#2011 #ephemera #karelmartens #oase #poster #thenarrows #warrentaylor