Palindromes Barry Flanagan and John Latham

Published by Flat Time House, London, 2015, 32 pages (colour & b/w ill.), 12.8 × 19.8 cm, English

Price: €10

Produced on the occasion of ’Pataphysics and Transactions Between Barry Flanagan And John Latham at Flat Time House, London, 2 April–17 May. Curated by Jo Melvin, Palindromes looked at Barry Flanagan and John Latham’s preoccupation with ’pataphysics and provided a framework for dialogues between Barry Flanagan and John Latham. ’Pataphysics is defined by its inventor, Alfred Jarry, the Symbolist poet and writer, as ‘the science of imaginary solutions.’ It preoccupied Flanagan from the early 1960s before he enrolled on the Advanced Sculpture Course at St Martin’s School of Art in 1964, where he met John Latham who was at that time teaching in the painting department.

*Please note this publication is secondhand and has some traces of previous ownership, the cover has slight sun damage.

#2015 #barryflanagan #johnlatham
An Intervention

Published by John Hansard Gallery, Southampton, 2015, 24 pages (colour & b/w ill.), 13.8 × 22 cm, English

Price: €9 (Temporarily out of stock)

Produced on the occasion of the exhibition An Intervention at John Hansard Gallery, 12 May – 27 June 2015.

Artists included were: Alice Channer, Ian Kiaer, Kitty Kraus, Phillip Lai and Bojan Šarčević. The title, An Intervention, addresses the very nature of the works; each piece intercedes the gallery space and, through subtle means, arrests the viewer to stop and consider the space both the visitor and work occupy.

#2015 #alicechanner #bojansarcevic #iankiaer #kittykraus #philliplai
The Lulennial – A Slight Gestuary

Published by Mousse Publishing, Milan, 2015, 144 pages (colour & b/w ill.), 16 × 23 cm, English / Portuguese

Price: €15

Produced on the occasion of the biennal The Lulennial, organized by Fabiola Iza and Chris Sharp at Lulu, Mexico City, a 9-square meter independent space in Mexico City, whose economy, “in the sense of doing a lot with a little or sometimes nothing at all,” is one of the founding principles.

With Zarouhie Abdalian, Francis Alÿs, Paola de Anda, Carl Andre, Billy Apple, Darren Bader, Pierre Bal-Blanc, Robert Barry, Graciela Carnevale, Ulises Carrión, Lygia Clark, Isaac Contreras, Marie Cool Fabio Balducci, Tania Pérez Córdova, Eduardo Costa, Christopher D’Arcangelo, Marcel Duchamp, Koji Enokura, Lucio Fontana, Fernanda Gomes, Alberto Greco, Simon Gabriel Greenberg, Matt Hinkley, Hi Red Center, Tehching Hsieh, Douglas Huebler, Stephen Kaltenbach, Yves Klein, Joseph Kosuth, Jirí Kovanda, Sol LeWitt, Lee Lozano, Jenine Marsh, Cildo Meireles, Robert Morris, Roman Ondák, Yoko Ono, Gabriel Orozco, Chantal Peñalosa, Goran Petercol, Kirsten Pieroth, Wilfredo Prieto, Ana Roldán, Lotty Rosenfeld, Karin Sander, Ana Santos, Martín Soto Climent, Mladen Stilinovic, Mierle Laderman Ukeles, Isidoro Valcárcel Medina Goran Trbuljak, Lawrence Weiner, B. Wurtz, Lin Yilin, La Monte Young.

#2015 #bwurtz #chrissharp #christopherd’arcangelo #hiredcenter #jirikovanda #kirstenpieroth #lamonteyoung #moussepublishing #tehchinghsieh #zarouhieabdalian
Five O’Clock Shadow (invitation) Ron Nagle

Published by Matthew Marks Gallery, New York, 2015, foldout card (colour ill.), 15.7 × 15.7 cm, English

Price: €15

Produced on the occasion of Ron Nagle: Five O’Clock Shadow at Matthew Marks Gallery, New York, September 11 – October 24, 2015.

Nagle is known for his intimately scaled sculptures made of ceramic elements that are slip-cast, fired, and embellished with epoxy and other synthetic materials that allow him to expand his forms beyond the limits of clay. Some are glazed to a hot-rod finish, others textured like stucco and then airbrushed.

#2015 #ceramics #ephemera #ronnagle #westcoastceramics
SELECTED WORKS 1970-2015 B. WURTZ

Published by BALTIC Centre for Contemporary Art, Gateshead, 2015, 162 pages (colour & b/w ill.), 22.5 × 28.5 cm, English

Price: €20

Produced on the occasion of B.Wurtz’s survey shows at BALTIC Centre for Contemporary Art, Gateshead and La Casa Encendida, Madrid in 2015.

For more than 40 years, B. Wurtz has collected common, domestic objects – carrier bags, aluminium roasting trays, buttons, shoelaces – and repurposed them into meticulously formal constructions that are balanced, fragile, yet sometimes discordant. His raw material is the stuff we constantly use and constantly overlook; things that connect to life in its most everyday sense.

Wurtz’s sculpture maintains an adherence to classical forms and a play with art history, all the while responding to three fundamental needs outlined early in the artist’s career: sleeping, eating and keeping warm.

#2015 #bwurtz
Folds in time Lili Dujourie

Published by Walther König, Köln, 2015, 80 pages (colour & b/w ill.), 18 × 27 cm, English

Price: €28

Produced on the occasion of simultaneous exhibition Lili Dujourie: Folds in time at Mu.ZEE, Ostend, and at SMAK, Ghent, 6 June – 4 October 2015.

The work by Flemish artist, Lili Dujourie unfolds out of the gap between painting and sculpture. After making debut with steel and colour objects in the late 1960s, Dujourie’s practice shifted into photography and video in the 1970s.

As well as exploring the blurring between art disciplines, in these new media she also raised gender-and identity-related issues prevalent at that time. The duality of movement and standstill inherent to film has fed the artist’s three-dimensional work from the 1980s to the present.

#2015 #lilidujourie #waltherkönig