Pictures of the Real World (In Real Time)

Published by Le Consortium, Dijon, 1994, 72 pages (colour & b/w ill.), 23 × 27 cm, English / French / German

Price: €12

Produced on the occasion of the exhibitions Pictures of the Real World (In Real Time) curated by Robert Nickas at The Consortium, Dijon / Paula Cooper Gallery, New York / Le Capitou, Fréjus / Städtische Galerie, Göppigen / Galleria Massimo de Carlo, Milano, presenting On Kawara’s Date paintings in relation to various contemporary photographs.

Featuring the following artists; Dan Graham, Diane Arbus, Garry Winogrand, Douglas Huebler, Lee Friedlander, Larry Clark, William Eggleston, Nan Goldin, Peter Hujar, Jan Groover, Peter Campus, James Welling, Cindy Sherman, Sherrie Levine, Richard Prince, Barbara Bloom, Louise Lawler, Sam Samore, John Coplans, Barbara Ess, Andres Serrano, David Robbins, Jeanne Dunning, Zoe Leonard, Felix Gonzalez-Torres, Philip-Lorca Di Corcia, Charles Ray, Robert Barry, Danny Lyon.

#1994 #barbarabloom #charlesray #dangraham #douglashuebler #felixgonzalez-torres #jangroover #louiselawler #onkawara #robertnickas #sherrielevine #zoeleonard
Pure Consciousness On Kawara

Published by Skulptur Projekte, Münster, 2017, 16 pages (b/w ill.), stapled, 14.8 × 20 cm, English/German

Price: €15

Booklet for On Kawara’s Pure Consciousness project in Münster for the archival exhibition on the history of the project (1998 – 2017), on display at the Pablo Picasso Art Museum, within the framework of the Skulptur Projekte 2017 (10.6.–1.10.2017).

“The Skulptur Projekte 2017 (SP17) have staged the first venue for Pure Consciousness since Kawara’s death in 2014, ushering in a new era in the work’s existence. The Münster presentation was reserved exclusively for the children at the Berg Fidel day-care centre, and purposely took place in the spring of this year, that is, before the actual Skulptur Projekte dates. The documentation on view here sheds light on the exhibition in the Münster kindergarten as well as on the previous venues of Pure Consciousness since 1998.”(Excerpt from the wall text in the exhibition)

#2017 #onkawara