EVERYTHING IS FINE

Published by 1856, Melbourne, 2019, 8 pages, 21 × 29.7 cm, English

Price: €2

As part of Paris Internationale 2019, 1856 presented “Everything is fine” with work by Patricia L. Boyd, Ian Burn, Lauren Burrow, and Fred Lonidier.

The work of art is possibly one of the only commodities with equal claim to both private and civic space. It is due to how artworks are embedded in our social relations that we recognise their different values: as historical artefacts, as objects of appreciation (“beautiful” or sensible to taste), political critiques, private financial investments, modes of communication, public documents of the national imaginary—the list goes on. However, the line that divides private and civic has become ever more indiscernible in recent decades—for instance, the erosion of public infrastructure and state industry, private capitalisation on culture and entertainment, the withering of the 8 hour work day, the return of 19th century work conditions, and the ongoing enclosure of our personal lives by a new technological industrialism. In response we might ask, in a reflective manner, what capacity the work of art has to represent these problems at the different points of its reception. The four artists selected here, at different times and with different methods, have asked this of their work. Curated by Nicholas Tammens

Designed by Ziga Testen

More on information can be found here.

#1856 #2019 #ephemera #fredlonidier #ianburn #laurenburrow #nicholastammens #patricialboyd #zigatesten
Patricia L. Boyd

Published by 1856, Melbourne, 2018, 4 pages, 21 × 29.7 cm, English

Price: €2

Catalogue for an exhibition of new work made by Patricia L. Boyd in Melbourne, presented across two locations: at Victorian Trades Hall and a coworking creative office space 225 Queensberry St, Carlton.

Designed by Beaziyt Worcou

You can find more on the exhibition here

#1856 #2018 #ephemera #nicholastammens #patricialboyd
Other Mechanisms

Published by Revolver Publishing, Berlin, 2018, 144 pages (colour & b/w ill.), 22 × 21 cm, English

Price: €36

In his catalogue essay, curator Anthony Huberman explains that the works in this exhibition ‘reflect on what it could mean to contest the regime of the machine’. That is, they question the worship of usefulness in modern scientific civilisation, which is refused or even ridiculed by each piece on show. It’s a strong concept, and potentially extends to how the works are placed in the labyrinthine space of the Secession. If the point is to produce friction, then the disorganisation of Other Mechanisms – the inability of its parts to add up to a coherent whole – is a paradoxical form of success.

Concept: Anthony Huberman

Texts: Jennifer Alexander, Franco Berardi, Benjamin H. Bratton, Gilles Châtelet, Gilles Deleuze, Keller Easterling, Vilém Flusser, Sigfried Gideon, Martin Heidegger, Anthony Huberman, K.G. Hultén, Maurizio Lazzarato, Pamela Lee, Les Levine, Jean-François Lyotard, Robert King Merton, Meredith Meredith, Lewis Mumford, Gerald Raunig, Nishant Shah, Robert Snowden, Joseph Vogl

Images: Zarouhie Abdalian, Lutz Bacher, Nairy Baghramian, Eva Barto, Patricia L. Boyd, Nina Canell & Robin Watkins, Jay DeFeo, Trisha Donnelly, Harun Farocki, Howard Fried, Jacob Kassay, Garry Neill Kennedy, Frederick Kiesler, Pope.L, Louise Lawler, Sam Lewitt, Park McArthur, Jean-Luc Moulène, Cameron Rowland, Sturtevant, Danh Vo

#2018 #anthonyhuberman #cameronrowland #danhvo #evabarto #francobifoberardi #garryneillkennedy #gillesdeleuze #harunfarocki #jaydefeo #jeanlucmoulène #kellereasterling #louiselawler #lutzbacher #mauriziolazzarato #nairybaghramian #ninacanell #parkmcarthur #patricialboyd #robertsnowden #samlewitt #sturtevant #trishadonnelly #williampopel #zarouhieabdalian
Mechanisms

Published by Roma Publications, Amsterdam and CCA Wattis Institute, San Fransisco, 2017, 288 pages (colour & bw ill.), 22 x 21 cm, English

Price: €34 (Out of stock)

Published on the occasion of Mechanisms, a group exhibition at CCA Wattis Institute (October 12, 2017 to February 24, 2018). It includes an essay by curator Anthony Huberman as well as contributions from artists Zarouhie Abdalian, Terry Atkinson, Lutz Bacher, Eva Barto, Neil Beloufa, Patricia L. Boyd, Jay DeFeo, Harun Farocki, Richard Hamilton, Aaron Flint Jamison, Jacob Kassay, Garry Neill Kennedy, Louise Lawler, Park McArthur, Jean-Luc Moulène, William Pope.L, Charlotte Posensenke, Cameron Rowland, and Danh Vo. Trisha Donnelly designed the cover.

Instead of documenting the exhibition, the catalogue reflects and expands on some of its core ideas. Designed by Scott Ponik and Julie Peeters, the book’s fabrication makes use of different printing techniques and “machines,” including an offset printer, a letterpress, and thermography, as well as a wide range of natural and synthetic paper stocks. Contributions by each of the exhibiting artists range from photo essays, theoretical essays, video transcripts and stills, interviews, and works designed especially for the page.

#2017 #anthonyhuberman #cameronrowland #ccawattisinstitute #charlotteposenenske #danhvo #harunfarocki #jacobkassay #jaydefeo #jeanlucmoulène #juliepeeters #louiselawler #lutzbacher #parkmcarthur #patricialboyd #scottponik #trishadonnelly #williampopel #zarouhieabdalian