Tauben Jochen Lempert

Published by Städtische Galerie, Nordhorn, 2015, 38 pages (b/w ill.), 20 × 27 cm, German

Price: €15

Jochen Lempert photographs the animal world in the most diverse contexts: from their natural habitat to the museum of natural history, from the zoo to the urban environment, in remote places or banal settings and situations. Lempert compiles his findings in a vast archive of images covering an ample spectrum, from common everyday views, to compositions that tend towards abstraction. This interest in the natural world as a subject has been further complemented by his exploration of the properties and materiality of the photographic image. Analogue, black and white, hand-printed in the darkroom, his photographs resist categorization and confront the canons of today’s aesthetic.

In his presentations, Lempert uses groupings and scale to respond to the exhibition space. He places and selects the photographs thoughtfully, always looking for cross-references and associations, uncovering subtle correspondences. Lempert’s arrangements give us new insights into our own place within the patterns, the structures and even the randomness or the order of the natural world.

#2015 #jochenlempert #photography
Traces of Light in Modernism: Koshiro Onchi, Osamu Shiihara and Ei-Q

Published by The National Museum of Modern Art, Tokyo, 1997, 40 pages (b/w ill.), 21 × 29.7 cm, Japanese / English

Price: €40

Various artistic trends originating in Europe after World War 1, such as Russian Constructivism, the Bauhaus in Germany and Surrealism in France, left a strong impression on Japanese art and photography in the Taisho and the early Showa periods. In photography in particular, the Western influence brought a new movement called Shinko Shashin (New Photography) in the early Showa period. This exhibition was an attempt at reexamining the viual expression in the period from the perspective of the photographic work of artist from fields other than photography, focusing on the work of Koshiro Onchi, Osamu Shiihara and Ei-Q

#1997 #abstractphotography #ei-q #japaneseavant-garde #japanesephotography #koshiroonchi #osamushiihara #photography
Bill 2 Julie Peeters (editor)

Published by Roma Publications, Amsterdam, 2019, 184 pages (colour & b/w ill.), 23 × 31 cm, English

Price: €22

Bill 2 is the second issue of an annual magazine of photographic stories, edited and designed by Julie Peeters. Twelve contributors present new or previously unpublished work. Bill prioritizes visual reading without distraction, the images that appear in the magazine are printed without any accompanying text. Contributors to the second issue are: Gintaras Didziapetris, Jason Dodge, Archiv Hans Hollein, Inge Ketelers, Tadashi Kurahashi by Tadanori Yokoo – Tadanori Yokoo by Tadashi Kurahashi, Jochen Lempert, Raimundas Malasauskas, Bart Julius Peters / T L P S, Reto Schmid, Megan Francis Sullivan, Linda van Deursen, Ann Woo, and Jiajia Zhang.

#2019 #bartjuliuspeters #bill #gintarasdidziapetris #ingeketelers #jasondodge #jochenlempert #juliepeeters #lindavandeursen #meganrrancissullivan #photography #raimundasmalasauskas #romapublications
1895-1949 光のダンディズム Iwata Nakayama

Published by Heibonsha,Tokyo, 1987, 103 pages (b/w ill.), 28 × 22 cm, Japanese

Price: €40

Iwata Nakayama (1895-1949) is regarded as a one of the most important contributors to the Shinko Shashin movement. After graduating from the Tokyo School of Fine Arts in 1918, he received a scholarship from the Japanese government and went to California before settling in New York. At the same time Nakayama was attracted to avant-garde movements and moved in bohemian circles where he met Shimizu Toshi. Shimizu encouraged him to move to Paris in 1926 where he met Man Ray, Fujita Tsuguji, and Enrico Prompolini. These encounters left a deep impression on him and when he returned to Japan in 1927 he energetically set about forming his own vision of ‘pure art photography’. In 1929 he settled in Ashiya (nr. Kobe) and in the following year founded the Ashiya Camera Club with Hanaya Kambei, Korai Seiji, and others. This club became the main driving force of New Photography in Japan. Together with Kimura and Nojima he founded Koga magazine in 1932 that was the most important forum for artistic photography at the time.

#1987 #abstractphotography #iwatanakayama #japanesephotography #photography
WOLS Photograph

Published by Schirmer/Mosel, München, 1979, 102 pages (b/w ill.), 20.2 × 20.2 cm, German

Price: €20

Published on the occasion of Wols Photograph 31/1–11/3 1979 at Museum Ludwig, Köln. Wols was the pseudonym of Alfred Otto Wolfgang Schulze (27 May 1913, Berlin – 1 September 1951, Paris), a German painter and photographer[1] predominantly active in France. Though broadly unrecognized in his lifetime, he is considered a pioneer of lyrical abstraction, one of the most influential artists of the Tachisme movement.

#1 #1979 #museumludwig #photography #wols
Zolang je niet zo over problemen praat zie je er toch niks van Sanne Kabalt

Published by Sanne Kabalt, 2018, 96 pages (b/w ill.), 11.5 × 18.4 cm, Dutch/English

Price: €25

Zolang je niet zo over problemen praat zie je er toch niks van / As long as you don’t talk about problems so much you won’t see them anyway is a photobook about empathy in psychiatry. Portraits of people in conversation and observations in body language are combined with textual dialogues. This project originated during a residency in Het Vijfde Seizoen, the residency on the terrain of a psychiatric institution in Den Dolder, NL. In the book you are made to ponder the (in)ability to place yourself into another’s shoes, the absurdity of mental illness as well as the familiarity and humanity of those who suffer from voices in their head, delusions, psychoses and depression. The title is a quote from one of the portrayed patients and brings to doubt the work itself and the possibility to photograph something that is so complicated.

#2018 #photography #sannekabalt