The Bear in The Mirror Simone Forti

Published by Walther König, Köln & Vleeshal, Middelburg, 2018, 94 pages (b/w ill.), 16 × 23 cm, English

Price: €20

”Iʼve gathered so many books (….), all about the family. This is all washing over me like a waterfall. I canʼt figure out the genealogy, the chronology flows like currents that wind around each other at different rates. (…). And now Iʼm recognizing that Iʼm part of this tribe, this family of writers writing about our tribe.”

These sentences can be found in Simone Fortiʼs new publication, The Bear in the Mirror – a wonderful collection of stories, prose-poems, drawings, photos, letters, notes and memories.

Simone Forti dives into the (his)stories of her family and of the woollen mills they once owned, trying to put all the myths and fragments of information into some kind of perspective.

Edited by Roos Gortzak and Quinn Latimer. Designed by Nerijus Rimkus.

#2018 #nerijusrimkus #quinnlatimer #simoneforti #waltherkönig
Hot Cottons As mist, description Magali Reus

Published by Sternberg Press, Berlin, 2018, 116 pages (colour & b/w ill.), 21 × 27 cm, English

Price: €25

This publication accompanies two exhibitions of recent sculptural work by the artist Magali Reus: Hot Cottons (2017–18) at Bergen Kunsthall and As mist, description, (2018) at the South London Gallery. Featuring an essay by writer and curator Laura Mclean-Ferris and a poetic response by writer and poet Quinn Latimer as well as a fully illustrated overview of Reus’s work, this catalogue provides an in-depth exploration of the artist’s recent sculptural practice.

Producing a sculptural language that is both familiar yet unlocatable Reus draws heavily on the past and present landscape of industry and fabrication, creating forms using a plethora of materials that include: mesh, jesmonite, cotton, steel, rubber, leather. Interested in collaborative processes of making, from virtual design to handmade fabrication, Reus combines sculptural games with material explorations.

Designed by A Practice for Everyday Life

#2018 #apracticeforeverydaylife #bergenkunsthall #magalireus #quinnlatimer #sternbergpress
Always Starts with an Encounter Wols & Eileen Quinlan

Published by Radio Athènes, Athens and Sequence Press, New York, 2019, 220 pages (colour & b/w ill.), 18.2 × 22.7 cm, English

Price: €30

Wols (1913–1951) was celebrated posthumously as one of the pioneering artists of the Art Informel movement. His distinctive early photographic work of the 1930s is however very little known. In an unusual travel across time and space his work is discussed in connection to that of contemporary American artist Eileen Quinlan (b. 1972). This book, a companion to the eponymous exhibition Always Starts with an Encounter, Wols-Eileen Quinlan, curated by Helena Papadopoulos and organized by Radio Athènes at the Museum of Cycladic Art, Athens in 2016, further explores the relationship between the work of the two artists through an indexical structure, various textual forms and inflections, different registers of images and close-up textures that act like another text. Spectral and suggestive, but also precise and factual it reflects on a circular idea of time as it wanders in the abstruse physicality of the photographic.

Texts by Quinn Latimer, Laura Preston, Helena Papadopoulos, Oliver Berggruen. Designed by O-R-G Inc., David Reinfurt

#2019 #abstractphotography #davidreinfurt #eileenquinlan #josephinepryde #laurapreston #photography #quinnlatimer #sequencepress #wols
Best Book, Don’t Care or, Poor Form from Fringe Areas Quinn Latimer

Published by Werkplaats Typografie, Arnhem, 2014, 22 pages (b/w ill.), 12 × 19 cm, English

Price: €7

“Best Books” is the subject of an annual workshop at Werkplaats Typografie, Arnhem. “Best Book, Don’t Care or, Poor Form from Fringe Areas” resulted from the 2013 workshop led by Sophie Nys in collaboration with the participants of Year 13 and Year 14. Designed by Roland Früh, Sophie Nys & Yin Yin Wong.

#2014 #quinnlatimer #werkplaatstypografie
Starship 17

Published by Starship, Berlin, 2018, 140 pages (colour ill.), 20.5 × 26.8 cm, English/German

Price: €8 (Out of stock)

Mitchell Anderson, Marie Angeletti, Tenzing Barshee, Gerry Bibby, Mercedes Bunz, Stefan Burger, David Bussel, Eric D. Clark, Jay Chung, Tony Conrad, Eduardo Costa, Hans-Christian Dany, Nikola Dietrich, Levi Easterbrooks, Martin Ebner, Stephanie Fezer, Julian Göthe, Dunja Herzog, Karl Holmqvist, Stephan Janitzky, Verena Kathrein, Jakob Kolding, Chris Kraus, Veit Laurent Kurz, Quinn Latimer, Park McArthur, Robert McKenzie, Robert Meijer, Luzie Meyer, Ariane Müller, Shahryar Nashat, Viktor Neumann, Theresa Patzschke, Monika Senz, Natasha Soobramanien, Vera Tollmann, Anne Turyn, Antek Walczak, Mikhail Wassmer, Scott C. Weaver, Florian Zeyfang

Editors: Gerry Bibby, Nikola Dietrich, Martin Ebner, Ariane Müller, Henrik Olesen
Graphic design: Dan Solbach
Cover: Martin Ebner, Shibuya/Sumida, 2017
Park McArthur for Starship, Studs, 2018. 1000 magazines pierced and bejeweled

#2018 #chriskraus #gerrybibby #karlholmqvist #parkmcarthur #quinnlatimer #robertmckenzie #shahryarnashat #tonyconrad
01-72 Daniel Gustav Cramer

Published by Christophe Daviet-Thery, Paris and Samuel Leuenberger, 2014, two publications, 20 pages + 16 pages (colour ill.), each 29.5 × 21 cm, English

Price: €18 (Out of stock)

This two-part publication has been released in March 2014 on
the occasion of the exhibition 01-72 by Daniel Gustav Cramer
at SALTS, Basel. It consists of an artist’s book, giving more
insight into the project and a reader with texts from Quinn
Latimer, Kirsty Bell and an interview interview between Samuel Leuenberger and the artist. Designed by Ronnie Fueglister

#2014 #danielgustavcramer #kirstybell #quinnlatimer #ronniefueglister #samuelleuenberger