Straying from the Line

Published by the Schinkel Pavillon, Berlin, 2019, unpaginated (colour & b/w ill.), 14.7 × 21 cm, German

Price: €12

Produced on the occasion of Straying from the Line at the Schinkel Pavillon from 13. April – 28. July 2019

Straying from the Line was dedicated to a fundamentally expanded perspective on the multiplicity of feminist tendencies in the art of the last 100 years. Instead of presenting a straight narrative of feminist art as a generation- and/or identity-specific style, the exhibition charted a network of multiple references, drawing connections between aesthetically and politically, geographically and historically heterogeneous perspectives.

Vito Acconci, Lynda Benglis, Dara Birnbaum, Jenna Bliss, Pauline Boudry & Renate Lorenz, Teresa Burga, Tom Burr, Claude Cahun, Ellen Cantor, Tony Cokes, Anna Daučíková, Cosey Fanni Tutti, Nicole Eisenman, Ellen Gallagher, Jef Geys, Guerilla Girls, Barbara Hammer, Eva Hesse, Irma Hünerfauth, Mike Kuchar, Maria Lassnig, Leigh Ledare, Alice Lex-Nerlinger, Klara Lidén, Lee Lozano, Sarah Lucas, Ulrike Müller, Gabriele Münter, Anna Oppermann, Charlotte Posenenske, Tim Rollins & K.O.S., Aura Rosenberg, Betye Saar, Heji Shin, Marianna Simnett, Jack Smith, Nancy Spero, Diamond Stingily, Sturtevant, Martine Syms, Rosemarie Trockel, Anna Uddenberg, Raphaela Vogel, Constantina Zavitzanos & Park McArthur

#2019 #annadaučíková #barbarahammer #betyesaar #charlotteposenenske #claudecahun #diamondstingily #evahesse #irmahünerfauth #jacksmith #jefgeys #leelozano #lyndabenglis #parkmcarthur #rosemarietrockel #sturtevant #timrollinsandk.o.s. #tomburr #tonycokes
Other Mechanisms

Published by Revolver Publishing, Berlin, 2018, 144 pages (colour & b/w ill.), 22 × 21 cm, English

Price: €36 (Out of stock)

In his catalogue essay, curator Anthony Huberman explains that the works in this exhibition ‘reflect on what it could mean to contest the regime of the machine’. That is, they question the worship of usefulness in modern scientific civilisation, which is refused or even ridiculed by each piece on show. It’s a strong concept, and potentially extends to how the works are placed in the labyrinthine space of the Secession. If the point is to produce friction, then the disorganisation of Other Mechanisms – the inability of its parts to add up to a coherent whole – is a paradoxical form of success.

Concept: Anthony Huberman

Texts: Jennifer Alexander, Franco Berardi, Benjamin H. Bratton, Gilles Châtelet, Gilles Deleuze, Keller Easterling, Vilém Flusser, Sigfried Gideon, Martin Heidegger, Anthony Huberman, K.G. Hultén, Maurizio Lazzarato, Pamela Lee, Les Levine, Jean-François Lyotard, Robert King Merton, Meredith Meredith, Lewis Mumford, Gerald Raunig, Nishant Shah, Robert Snowden, Joseph Vogl

Images: Zarouhie Abdalian, Lutz Bacher, Nairy Baghramian, Eva Barto, Patricia L. Boyd, Nina Canell & Robin Watkins, Jay DeFeo, Trisha Donnelly, Harun Farocki, Howard Fried, Jacob Kassay, Garry Neill Kennedy, Frederick Kiesler, Pope.L, Louise Lawler, Sam Lewitt, Park McArthur, Jean-Luc Moulène, Cameron Rowland, Sturtevant, Danh Vo

#2018 #anthonyhuberman #cameronrowland #danhvo #evabarto #francobifoberardi #garryneillkennedy #gillesdeleuze #harunfarocki #jaydefeo #jeanlucmoulène #kellereasterling #louiselawler #lutzbacher #mauriziolazzarato #nairybaghramian #ninacanell #parkmcarthur #patricialboyd #robertsnowden #samlewitt #sturtevant #trishadonnelly #williampopel #zarouhieabdalian