Produced on the occasion of the exhibition Video from Tokyo to Fukui and Kyoto at The Museum of Modern Art, New York, 19 April–19 June, 1979; Long Beach Museum of Art, Long Beach, California, June 24–August 5, 1979; Vancouver Art Gallery, Vancouver, July 20–August 6, 1979, The Prefectural Museum of Art, Fukui, April 1980.

Including artists; Mako Idemitsu, Nobuhiro Kawanaka, Hakudo Kobayashi, Akira Kurosaki, Toshio Matsumoto, Kyoko Michishita, Tsuneo Nakai, Ko Nakajima, Fujiko Nakaya, Hitoshi Nomura, Katsuhiro Yamaguchi, Keigo Yamamoto

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of Jan Dibbets exhibition at the Dutch Pavilion, XXXVI Venice Biennale, 1972. With a text by Rudi Fuchs.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of Arakawa – Der Mechanismus der Bedeutung / John Cage (Kammerkunsthalle), at Kunsthalle Bern, 6 May–18 June, 1972. With text by Carlo Huber.

Produced on the occasion of the exhibition at Hayward Gallery, London, 17 August–24 September, 1972. Artists include Keith Arnatt, Art & Language, Victor Burgin, Michael Craig-Martin, David Dye, Barry Flanagan, Hamish Fulton, Gilbert & George, John Hilliard, Richard Long, Keith Milow, Gerald Newman, John Stezaker, and David Tremlett.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Jasper Johns/grafiek at the Stedelijk Museum, Amsterdam, 7 April–22 May, 1972.

SM Cat. No 526.

Designed by Wim Crouwel.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Franz Erhard Walther: Arbeiten 1955–1969, at Kunsthalle Tübingen from 11 May–9 July, 1972.

Franz Erhard Walther is a key figure in the departure from the image since the European postwar period. Beyond the classical understanding of sculpture and painting, Walther formulated a completely new concept of work that included the viewer as an actor. Early in his work, fabric—until then an unusual artistic material—became a source of innovation for Walther, from which the “activation objects” emerged. In the wall formations of the 1980s, he achieved an incomparable interweaving of painting, sculpture, and architecture that continues to this day.