Despite having only a brief artistic career, spanning from 1962 to 1967, Peter Roehr left behind him a prolific oeuvre of pioneering collages, photo and sound montages and films. Roehr developed a proto-conceptual practice borrowing from pop art and minimalism. His practice was based on the principle of serial organisation and montage, focusing on the effects produced by unvaried repetition.

Produced on the occasion of Richard Tuttle’s 1991 exhibition at the Institute of Contemporary Art, Amsterdam.

*Please note this publication is secondhand and has some traces of previous ownership.

In his sculptures, land works, and installations, Walter De Maria (1935–2013) explored the relationship between the relative and the absolute, using basic geometric components to produce sublime repetitions. By arranging forms according to mathematical sequences, he worked at the intersections of Minimalism, conceptual art, and land art—drawing attention to the limits of gallery spaces, prioritising bodily awareness, and locating the content of an artwork in the viewer.

Produced on the occasion of Willem Oorebeek’s exhibition at Galeire Paul Andriesse, Amsterdam, 12 January–13 February, 1991.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of Heimo Zobernig’s exhibition at the Generali Foundation, Vienna, 5 September–18 October, 1991, curated by Sabine Breitwieser.

With texts by Sabine Breitwieser, Helmut Draxler and Reiner Zettl.

In these eight biographies, Stan Brakhage brings us into intimate acquaintance with some of America’s most influential independent filmmakers; Jerome Hill, Marie Menken, James Broughton, Christopher MacLaine, Maya Deren, Sidney Peterson, Bruce Conner and Ken Jacobs.