Produced on the occasion of the first retrospective of Brazilian artist Hélio Oiticica (1937–1980) at Witte de With Center for Contemporary Art, Rotterdam, 23 February–26 April, 1992.

Oiticica is widely regarded as one of Brazil’s leading artists of the twentieth century and a touchstone for much contemporary art made since the 1960s, primarily through his freewheeling, participatory works of art, performative environments, avant-garde films and abstract paintings.

*Please note this publication is secondhand and has some traces of previous ownership.

Catalogue raisonné of the films and videos by Lawrence Weiner. Edited by Bartomeu Mari and Alice Weiner. With a preface by Rudi Fuchs. Designed by Luc Derycke with Lawrence Weiner.

*Please note this publication is secondhand and has some traces of previous ownership.

Bookmark produced on the occasion of the unveiling of the stage curtain at Théâtre Jean Vilar and the exhibition at Musée V. Charreton 16 September–30 October, 1992.

*Please note this publication is secondhand and has some traces of previous ownership. (Condition: as new)

Produced on the occasion of Stephen Prina’s exhibition at the Museum Boijmans Van Beuningen, Rotterdam, 29 March–19 May, 1992.

*Please note this publication is secondhand and has some traces of previous ownership.

“The husband and wife team of Bernd and Hilla Becher began photographing together in 1959. For close to fifty years, they documented architectural forms they collectively referred to as “anonymous sculpture.” Their extensive series of water towers, blast furnaces, coal mine tipples, framework houses of mine workers, and other vernacular industrial architecture—often technologies on the verge of obsolescence—comprise an in-depth study of the intricate relationship between form and function.”—Fraenkel Gallery.

At the heart of Thomas Ruff’s complex oeuvre is a pioneering conceptual expansion of what constitutes photography. Ruff’s prodigious output varies widely, from analogue portraits to manipulated images appropriated from the internet, digitally-altered archival images and digital photograms. Works by the Dusseldorf-based artist consistently explore how historical and media-driven changes in photography affect our understanding of the relationship between image and reality.