Exhibition invitation Braco Dimitrijević

Published by Queensland Art Gallery & Institute of Modern Art, Brisbane, 1989, card, 15 × 10.5 cm, English

Price: €13 (Out of stock)

Produced on the occasion of Braco Dimitrijević’s exhibitions; Triptychos Post Historicus or, Far From Harbour, Near The Stars at the Queensland Art Gallery, Brisbane. and The Sky of The South Hemisphere; Post Historical Dimension at the Institute of Modern Art, Brisbane.

#1989 #bracodimitrijević #ephemera
Braco Dimitrijević

Published by ICA, London, 1979, 36 pages (colour & b/w ill.), 20 × 25.3 cm, English

Price: €25 (Out of stock)

Dimitrijević gained an international reputation in the seventies with his Casual passer-by series, in which gigantic photo portraits of anonymous people were displayed on prominent facades and billboards in European and American cities. The artist also mimicked other ways of glorifying important persons by building monuments to passers-by and installing memorial plaques in honour of anonymous citizens.

#1979 #bracodimitrijević #icalondon
Triptychos Post Historicus Braco Dimitrijević

Published by Le Consortium, Dijon, 1989, 32 pages (colour & b/w ill.), 20 × 26 cm, French / English

Price: €12

Dimitrijević gained an international reputation in the seventies with his Casual passer-by series, in which gigantic photo portraits of anonymous people were displayed on prominent facades and billboards in European and American cities. The artist also mimicked other ways of glorifying important persons by building monuments to passers-by and installing memorial plaques in honour of anonymous citizens.

In the mid-seventies he started incorporating in his installations original paintings borrowed from museum collections. The Triptychos Post Historicus, realized in numerous museums around the world, unite in a harmonious synthesis high art, everyday objects, and fruit. The artist’s statement “Louvre is my studio, street is my museum” expresses both the dialectical and transgressive nature of his oeuvre. In the last thirty years, Dimitrijevic has realized over 500 Triptychos Post Historicus, with paintings ranging from Leonardo’s Madonna to Malevich’s Red Square, in numerous museum collections including the Tate Gallery, London, the Louvre, the Musee National d’Art Moderne Paris, the Solomon R. Guggenheim Museum New York, the Musee d’Orsay, and the Russian State Museum, St Petersburg, amongst many others.

#1989 #bracodimitrijević