Hans de Vries

Published by Kunstverein Publishing, Amsterdam, 2016, 40 pages (b/w ill.), 23 × 30 cm, English / Dutch

Price: €15

Hans de Vries concentrated on the study and registration of processes and appearances that occur in and are created by nature. De Vries was a close observer, an onlooker, an eyewitness, whose aim was to discern and document the relationship between man and his natural environment. His practice has been referred to as “micro-emotive art”, a term coined by the Italian artist Piero Gilardi. ‘Hans de Vries Works 1968–1975’ is De Vries’s first exhibition since he stopped producing art at end of the 1970s. It is a retrospective of all the publications and book-related works including parallel articles and essays about his practice.

#2016 #hansdevries #kristgruijthuijsen #kunstvereinamsterdam #kunstvereinpublishing
10 Years KV

Published by Kunstverein Publishing, Amsterdam, 2019, 310 pages (b/w ill.), 21 × 30 cm, English

Price: €25

Kunstverein is essentially a curatorial office that offers lectures, presentations, screenings, and independent publishing. Because of its unconventional structure, it allows alternative methods to be considered in terms of presentation, hosting, and exhibition-making. This extensive anthology looks back at the past decade of their activity, from 2009 to 2019, and is filled with ephemera, images of performances and shows, bulletins, and much more. With contributions by Yana Foqué, Krist Gruijthuijsen, Anthony Huberman, and Maxine Kopsa.

Designed by Marc Hollenstein.

#2019 #anthonyhuberman #kristgruijthuijsen #kunstvereinamsterdam #kunstvereinpublishing #marchollenstein #maxinekopsa #yanafoque
Limits to Growth Nicholas Mangan

Published by Sternberg Press, Berlin, 2016, 246 pages (colour & b/w ill.), 17 × 24 cm, English

Price: €28

Edited by Aileen Burns, Charlotte Day, Krist Gruijthuijsen, Johan Lundh
Texts by Max Andrews and Mariana Cánepa Luna (Latitudes), Helen Hughes, Ana Teixeira Pinto

This publication accompanies Australian multidisciplinary artist Nicholas Mangan’s survey exhibition Limits to Growth. The exhibition and book bring together four of Mangan’s most significant works of the past seven years, alongside a new commission. The works in the show tackle narratives from his own geographical region—Asia Pacific, in which his home country of Australia plays a colonial role—and weaves them into a bigger picture to take into account the global economy, resource extraction, and the ultimate power of the sun. Featuring an in-depth series of conversations between the artist and the Barcelona-based curatorial collective Latitudes, and essays by Ana Teixeira Pinto and Helen Hughes, this publication is richly illustrated with documentation of Mangan’s artworks and historical source material.

Copublished with the Institute of Modern Art, Brisbane; KW Institute for Contemporary Art, Berlin; and Monash University Museum of Art, Melbourne
Design by Žiga Testen

#2016 #helenhughes #imabrisbane #kristgruijthuijsen #kwinstituteforcontemporaryart #latitudes #muma #nicholasmangan #sternbergpress #zigatesten