STAGING: Solo #2 (Exhibition poster/pamphlet) Maria Hassabi

Published by Kunstsammlung Nordhein-Westfalen, Düsseldorf, 2017, foldout poster (colour & b/w ill.), 10.5 × 21 cm (folded) 42 × 51.5 cm (unfolded), English / German

Price: €3

Produced on the occasion of Maria Hassabi’s STAGING: Solo #2 (2017), 9 December 2017 – 21 January 2018, which reimagines and adapts her multi-sited installation STAGING (2017). STAGING was previously exhibited at the Walker Art Center, Minneapolis and in documenta 14, Kassel. This new iteration will feature a lone dancer on an expanse of vivid pink carpet, enacting highly concentrated, protracted, at times barely perceptible movements. Like nearly in all of her works, STAGING: Solo #2 (2017) is a site of negotiation for her powerfully subversive performances: between the performer and their task, the spectacular and the everyday; between subject and object, bystander and viewer. In consistent ways, her pieces undermine media boundaries, clear classifications, and perceptual habits, replacing these with new, not necessarily decipherable images, while activating the viewer’s sensibilities and self-reflection to an extreme degree.

#2017 #ephemera #mariahassabi
STAGING: SOLO #2 (Booklet) Maria Hassabi

Published by Kunstsammlung Nordhein-Westfalen, Düsseldorf, 2017, 16 pages (colour ill.), 14.3 × 21 cm, English / German

Price: €5

Produced on the occasion of Maria Hassabi’s STAGING: Solo #2 (2017), 9 December 2017 – 21 January 2018, which reimagines and adapts her multi-sited installation STAGING (2017). STAGING was previously exhibited at the Walker Art Center, Minneapolis and in documenta 14, Kassel. This new iteration will feature a lone dancer on an expanse of vivid pink carpet, enacting highly concentrated, protracted, at times barely perceptible movements. Like nearly in all of her works, STAGING: Solo #2 (2017) is a site of negotiation for her powerfully subversive performances: between the performer and their task, the spectacular and the everyday; between subject and object, bystander and viewer. In consistent ways, her pieces undermine media boundaries, clear classifications, and perceptual habits, replacing these with new, not necessarily decipherable images, while activating the viewer’s sensibilities and self-reflection to an extreme degree.

#2017 #ephemera #mariahassabi