Apothekerman Michael Krebber

Published by Walther König, Köln, 2000, 80 pages (colour & b/w ill.), 21.6 × 27 cm, German / English

Price: €35

With texts by Merlin Carpenter, Fritz Heubach und Mayo Thompson.

Having had a major influence on the art scene in Cologne during the 80’s and 90’s and ever since, Michael Krebber has a conceptual approach to painting that he explores beyond all pictorial conventions. His practice is marked by ambivalence, subversion, intransigence, and a feigned body language. (press release, CAPC musée d’art contemporain de Bordeaux)

#2000 #michaelkrebber #waltherkönig
Außerirdische Zwitterwesen / Alien Hybrid Creatures Michael Krebber

Published by Walther König, Köln, 2005, 180 pages (colour & b/w ill.), 14.5 × 21 cm, German / English

Price: €90

Außerirdische Zwitterwesen / Alien Hybrid Creatures is a book by Michael Krebber, published on the occasion of a seminar to which the artist had been invited at the Institute for Art History at the University of Cologne in 2003. Beside an introductory text by Michael Krebber and numerous reproductions the publication contains a list of book recommendations on the theme of Dandyism compiled by Oswald Wiener.

#2005 #michaelkrebber #waltherkönig
Michael Krebber

Published by Villa Arson, Nice, 1997, 32 pages (b/w ill.), 21 × 26.5 cm, French

Price: €28

Catalogue produced on the occasion of Michael Krebber’s exhibition at the Villa Arson, Nice, 28 March – 18 May, 1997.

#1997 #michaelkrebber
Shandyismus, Autorschaft als Genre Helmut Draxler

Published by Secession, Vienna and Merz Akadamie, Stuttgart, 2007, 332 pages (colour & b/w ill.), 21 × 30 cm, English

Price: €15

Published on the occasion of the exhibition Shandyismus, Autorschaft als Genre at Secession Vienna, February 22 – April 15, 2007. Curated by Helmut Draxler

Monika Baer, Georg Baselitz, Bernadette Corporation, Max Bill, Marcel Broodthaers, Marcel Duchamp, Jack Goldstein, Gareth James, Sergej Jensen, Chuck Jones, David Jourdan, Jutta Koether, Louise Lawler, Olia Lialina und Dragan Espenschied, Robert Frank, Martin Kippenberger, Michael Krebber, Christian Philipp Müller, Michael Schuster, Josef Strau, Franz West sowie , Diedrich Diederichsen, Michael Dreyer, Clemens Krümmel, Franz Reitinger, Drehli Robnik, André Rottmann, Astrit Schmidt-Burkhardt, Tanja Widmann

The exhibition Shandyismus. Autorschaft als Genre refers to Laurence Sterne’s novel The Life and Opinions of Tristram Shandy, Gentleman from the 18th century. It will focus on Shandyism as a phenomenon or position, reflecting the diversity of points of contact with the media. A number of existing art works will be shown that express the methodological idiom of Shandyism. At the same time, artists have been invited to develop a “Shandyesque intervention” for the exhibition.

Texts: Diedrich Diederichsen, Helmut Draxler, Michael Dreyer, Clemens Krümmel, Shaun Regan, Franz Reitinger, Drehli Robnik, André Rottmann, Astrit Schmidt-Burkhardt, Peter de Voogd, Tanja Widmann

#2007 #andrérottmann #christianphilippmüller #diedrichdiederichsen #helmutdraxler #josefstrau #juttakoether #louiselawler #marcelbroodthaers #martinkippenberger #maxbill #michaeldreyer #michaelkrebber #monikabaer #secession
Arbeiten auf Papier 1986–1991 Michael Krebber

Published by Gallery Bleich-Rossi, Graz, 1992, 15.5 × 21.5 cm (b&w ill.), 100 sheets in folding box, 48 drawings, above each 1 sheets of glassine, gilt edged, German

Price: €100 (Out of stock)

Publication reproducing Michael Krebber’s work on paper from 1986–1991 (as seen in Galerie Buchholz’s 2018 exhibition Works on Works on Paper.) Published by Gallery Bleich-Rossi, Graz. Designed by Jörg Schlick.

#1 #1992 #michaelkrebber
…ical Krbbr Prdly Prsnts Gart Jas, Jon Klsy, Josf Stra Michael Krebber

Published by Walther König, Köln, 2006, 207 pages (colour ill.), 15.2 × 22.9 cm, English/German

Price: €70

Published on the occasion of …ical Krbbr Prdly Prsnts Gart Jas, Jon Klsy, Josf Stra at Portikus, Frankfurt, 16.12.2006–21.01.2007. A group show curated by Michael Krebber also featuring Gareth James, John Kelsey and Josef Strau.

“A bridge, an ellipsis, a sudden trailing off, the title of this exhibition, etc, the … might also be the blub blub blub of an underwater clam drawn by Jack Smith (“Ploduction Ploblems”), or a sort of mussel-talk taking over. In Réné Daumal’s unfinished novel Mount Analogue, which narrates the search for an invisible mountain (the largest on earth), there is a description of the money used in this place: smooth, pearl-like orbs dug out of the invisible mountain’s soil and very difficult to find. So on Mount Analogue, the … would also be a price, a sum, exact amount of invisible cash.”

#2006 #michaelkrebber #portikus