Edited by Helen Hughes and David Homewood (Discipline Nº 5); Carla Macchiavello and Camila Marambio (Más allá del fin Nº 3); and designed by Robert Milne.

Discipline, Más allá del fin (translating to ‘discipline beyond the end’)—represents an effort to map a South–South relationship between Chile and Australia, and even more specifically, between its southernmost island tips: Tierra del Fuego and Tasmania. For centuries, the Northern imagination conceived of these places as the very personification of distance itself, whereas the editors of Más allá del fin refer to Tierra del Fuego as ‘the centre of the known universe’. In addition to publishing a range of essays on modern and contemporary art, this joint issue recentres and forges new connections between Southern perspectives, generating a dynamic and relational art history of the contemporary.

You can see a full list of contents here.

What is the role of aesthetic processes in the drawing of the boundaries between nature and culture, humans and things, the animate and inanimate? Structured around the aesthetic processes and effects of animation and mummification, Animism—a companion publication to the long-term exhibition of the same title, brings together artistic and theoretical perspectives that reflect on the boundary between subjects and objects, and the modern anxiety that accompanies the relation between “persons” and “things.”

With works by Agency, Art & Language, Christian W. Braune & Otto Fischer, Marcel Broodthaers, Paul Chan, Tony Conrad, Didier Demorcy, Walt Disney, Lili Dujourie, Jimmie Durham, Eric Duvivier, Harun Farocki, León Ferrari, Christopher Glembotzky, Victor Grippo, Brion Gysin, Luis Jacob, Ken Jacobs, Darius James, Joachim Koester, Zacharias Kunuk, Louise Lawler, Len Lye, Étienne-Jules Marey, Daria Martin, Angela Melitopoulos & Maurizio Lazzarato, Wesley Meuris, Henri Michaux, Santu Mofokeng, Vincent Monnikendam, Tom Nicholson, Otobong Nkanga, Reto Pulfer, Félix-Louis Regnault, Józef Robakowski, Natascha Sadr Haghighian, Paul Sharits, Yutaka Sone, Jan Švankmajer, David G. Tretiakoff, Rosemarie Trockel, Anne-Mie Van Kerckhoven, Dziga Vertov, Klaus Weber, Apichatpong Weerasethakul.

Design by NODE Berlin Oslo.

Produced on the occasion of Tom Nicholson’s After action for another library, 1999–2001/2006 at Pier 2/3 as part of Zones of Contact, 15th Biennale of Sydney, 8 June–27 August, 2006.

On 30 August 1999 East Timorese voted overwhelmingly to become an independent nation in a ballot sponsored by the UN. Following the announcement of the result, occupying Indonesian troops carried out systematic destruction throughout East Timor. Within two weeks several thousand civilians were murdered (a precise number is unknown), 200,000 were forcibly transported to concentration camps in West Timor and other parts of Indonesia, and most significant infrastructure was destroyed.

Libraries were systematically burned, amongst them the widely-used university library and the English library in Dili. Private collections of books were targeted, and in notable cases book collections of prominent intellectuals and independence activists were collected on the street where they were publicly set alight. Action for another library was established in Melbourne in response to these circumstances. Thousands of books were donated by bookstores, libraries, and individuals. They were shipped to Dili in containers where they now form part of the nascent National University Library of East Timor.