Sequence Of Events #1 – 10 Fiona Connor

Published by Secession, Vienna & Revolver Publishing, Berlin, 2019, 20 pages (colour & b/w ill.), 25.5 × 10.5 cm, English

Price: €15

A text by Leslie Dick runs adjacent to 10 postcards featuring a Sequence of Events, a series of mostly permanent installations in homes. The project draws lines between public institutions, apartment galleries, private residences, owned homes, social housing, and rented apartments. A Sequence of Events questions the duration, visibility, and boundaries of a site, including that of an artist’s book.

#2019 #fionaconnor #revolverpublishing #secession
Sorted, Resorted Gabriel Kuri

Published by WIELS, Brussels and Koenig Books, London, 2019, 152 pages (colour & b/w ill.), 25 × 28 cm, English / Dutch / French

Price: €39

Produced on the occasion of the exhibition Gabriel Kuri: sorted, resorted at WIELS, Brussels, September 06 – January 5, 2020. Using familiar materials such as receipts, newspaper, and plastic bags, Mexican-born, Los Angeles-based artist Gabriel Kuri (b. 1970) is interested in the way that money mediates almost all human relationships.

Featuring an introduction by senior curator Zoë Gray and an essay by art historian Cathleen Chaffee (Chief Curator, Albright-Knox Art Gallery, Buffalo), and four texts exploring our material world by Brian Dillon (author, Professor of Creative Writing at Queen Mary, University of London). Published in English with translations in French and Dutch. Designed by OK-RM.

#2019 #briandillon #gabrielkuri #wielsbrussels #zoegray
The Complete Editions Blinky Palermo

Published by Walther König, Köln, 2019, 216 pages (colour & b/w ill.), 17.5 × 24.8 cm, English / German

Price: €35

Blinky Palermo, is known for his large fabric and metal pictures as well as his objects and installations. Less well known, yet no less interesting, are the works he created in editions: screen prints and offset prints, lithographs, objects, and a template for painting. In their entirety, these works not only reflect Palermo’s development from the 1960s to his early death in 1977, but also show how the artist deliberately expanded his work with the possibilities of technical reproduction. Thanks to a donation from the Cologne collector Ulrich Reininghaus, in 2018 a complete set of Palermo’s editions became part of the Museum Ludwig’s collection. After having been subject to an in-depth scholarly research, they will now be presented in an exhibition for the first time. This exhibition catalogue also includes an updated version of Fred Jahn’s out-of-print catalogue raisonné from 1983.

#2019 #blinkypalermo #waltherkönig #yilmazdziewior
Mondo Cane (exhibition guide) Jos de Gruyter and Harald Thys

Published by the Belgian Pavilion, Fédération Wallonie-Bruxelles, Brussels, 2019, 22 pages, (b/w ill.), 10.4 × 15 cm, English

Price: €6

Mondo Cane presents itself as a local folkloric museum that displays the human figure. Silent, pale and frightened, the pavilion’s inhabitants appear as aestheticized shells, stuck in a loop of formal activity that the visitor perceives as odd and out of touch with contemporary reality.

Jos de Gruyter and Harald Thys have the habit of distilling fictions out of a reality that is, sometimes, ‘too real.’ Both willingly concede that they feel attracted to the psychotic state of contemporary societies, a state that they simultaneously dread and disseminate in their work.

Designed by Boy Vereecken and Antoine Begon.

#2019 #antoinebegon #boyvereecken #ephemera #josdegruyterandharaldthys
Interview With Fabienne Dumont Nil Yalter

Published by Manuella Editions, Paris, 2019, 96 pages (colour & b/w ill.), 13 × 21 cm, English

Price: €17

Nil Yal­ter’s works emerge from cur­rent po­lit­i­cal si­t­u­a­tions such as the sen­tenc­ing to death of a Turk­ish ac­tivist, dai­ly life in a wo­m­en’s pri­son, or the liv­ing con­di­tions of il­lit­er­ate “guest work­ers.” Lan­guage plays an im­por­tant role for her, along with cul­tu­r­al in­flu­ences from the Mid­dle East, Turkey, and West­ern Eu­rope. She sen­si­tive­ly in­te­grates the voic­es of the peo­ple de­pict­ed in her works. Us­ing a quasi-an­thro­po­log­i­cal metho­d­ol­o­gy, she re­flects the life si­t­u­a­tion of th­ese in­di­vi­d­u­als and makes margi­nal­ized groups of peo­ple vis­i­ble.

In this first volume of interviews with artists awarded by the AWARE Outstanding Merit Prize, Nil Yalter speaks about her childhood, her formative years, her political, feminist and artistic commitment, and the context of creation of her main works.

#2019 #nilyalter
The Unexpected Subject – 1978 Art And Feminism In Italy

Published by Flash Art, Milan, 2019, 216 pages (colour & b/w ill.), 18 × 24 cm, Italian / English

Price: €33

Produced on the occasion of the eponymous exhibition at FM Centre for Contemporary Art, Milan, from April 4 to May 26, 2019. The Unexpected Subject. 1978 Art and Feminism in Italy recounts the Seventies as a key phase in the history of Italian art of the 20th century, during which the spread of feminist thinking stimulates a new critical awareness that encourages many female artists, curators and art historians to rethink their role in society, life and art.

With works by Tomaso Binga, Irma Blank, Hanne Darboven, Agnes Denes, Chiara Diamantini, Amelia Etlinger, Maria Ferrero Gussago, Simone Forti, Sanja Iveković, Joan Jonas, Ketty La Rocca, Katalin Ladik, Maria Lai, Marisa Merz, Carol Rama, Mira Schendel, Carolee Schneemann, Eleanor Schott, Mariuccia Secol, Mary Ellen Solt, Biljana Tomić amongst others.

#2019 #agnesdenes #caroleeschneemann #carolrama #irmablank #joanjonas #katalinladik #kettylarocca #marialai #marisamerz #maryellensolt #miraschendel #sanjaiveković #simoneforti #tomasobinga