4 Cartes Postales
Mirtha Dermisache
Published by Guy Schraenen Éditeur, Antwerp, 1978, four cards in folder (b/w ill.), 15.8 × 11 cm, English
Price: €200

Four postcards in a folder published by Guy Schraenen éditeur, 1978. Argentinian artist Mirtha Dermisache wrote dozens of books, hundreds of letters and postcards, and countless texts. Not a single one was legible, yet, in their promixity to language, they all resonate with a mysterious potential for meaning. Using ink on paper, Dermisache invented an array of graphic languages, each with its own unique lexical and syntactic structure, laden with poetic and sometimes visceral suggestion.

*Please note this publication is secondhand and has some traces of previous ownership.

#1978 #concretepoetry #ephemera #guyschraenen #mirthadermisache
Libro n° 2 : 1972
Mirtha Dermisache
Published by CDLA (Centre des livres d'artistes), Saint-Yrieix-la-Perche, 2008, 72 pages (b/w ill.), 23.5 × 28 cm, French
Price: €23

Produced on the occasion of the exhibition Mirtha Dermisache LIBROS: Dispositif éditorial Florent Fajole, Centre des livres d’artistes, 4 October–20 December, 2008.

Argentinian artist Mirtha Dermisache wrote dozens of books, hundreds of letters and postcards, and countless texts. Not a single one was legible, yet, in their proximity to language, they all resonate with a mysterious potential for meaning. Using ink on paper, Dermisache invented an array of graphic languages, each with its own unique lexical and syntactic structure, laden with poetic and sometimes visceral suggestion.

#2008 #concretepoetry #mirthadermisache
Women in Concrete Poetry: 1959–1979
Published by Primary Information, New York, 2020, 480 pages (colour & b/w ill.), 20.3 × 22.7 cm, English
Price: €29 (Out of stock)

Women in Concrete Poetry: 1959–1979 is an expansive anthology focused on concrete poetry written by women in the groundbreaking movement’s early history. It features 50 writers and artists from Europe, Japan, Latin America, and the United States selected by editors Alex Balgiu and Mónica de la Torre.

The works in this volume evolved from previous manifestations of concrete poetry as defined in foundational manifestos by Öyvind Fahlström, Eugen Gomringer, and the Brazilian Noigandres Group. While some works are easily recognized as concrete poetry, as documented in canonical anthologies edited by Mary Ellen Solt and Emmett Williams in the late ’60s, it also features expansive, serial works that are overtly feminist and often trouble legibility.

Artists and writers include; Ana Bella Geiger, Mira Schendel, Mirella Bentivoglio, Tomaso Binga, Ilse Garnier, Mirtha Dermisache, Mary Ellen Solt, Susan Howe, Liliane Lijn, Hannah Weiner, Irma Blank, Ruth Wolf-Rehfeldt, Chima Sunada, Katalin Ladik amongst others. Designed by Scott Ponik.

#2020 #anabellageiger #concretepoetry #hannahweiner #irmablank #katalinladik #maryellensolt #miraschendel #mirthadermisache #primaryinformation #ruthwolfrehfeldt #scottponik #susanhowe #tomasobinga