A Bell is a Cup was first published in 2012 to coincide with the exhibition “Impressionism” by Matt Connors, held at MoMA PS1, New York and in 2013 was awarded in the inaugural Most Beautiful Books—Australia & New Zealand (MBBANZ), nominated for Artist Book of the Year in Rob Pruitt’s Art Awards, and in 2014 received the Förderpreis in the Walter Tiemann Prize presented by Verein zur Förderung von Grafik und Buchkunst Leipzig.

The second edition is printed at 90% scale of the first edition, has sixteen new dust jacket/cover combinations and still includes texts by Peter Eleey, Michel Leiris, Gertrude Stein and Jack Spicer, alongside the first comprehensive gathering of Connors’ work to date (as of 2012).

Designed by Sinisa Mackovic & Robert Milne.

A Bell is a Cup was first published in 2012 to coincide with the exhibition “Impressionism” by Matt Connors, held at MoMA PS1, New York and in 2013 was awarded in the inaugural Most Beautiful Books—Australia & New Zealand (MBBANZ), nominated for Artist Book of the Year in Rob Pruitt’s Art Awards, and in 2014 received the Förderpreis in the Walter Tiemann Prize presented by Verein zur Förderung von Grafik und Buchkunst Leipzig.

The second edition is printed at 90% scale of the first edition, has sixteen new dust jacket/cover combinations and still includes texts by Peter Eleey, Michel Leiris, Gertrude Stein and Jack Spicer, alongside the first comprehensive gathering of Connors’ work to date (as of 2012).

Designed by Sinisa Mackovic & Robert Milne.

A Bell is a Cup was first published in 2012 to coincide with the exhibition “Impressionism” by Matt Connors, held at MoMA PS1, New York and in 2013 was awarded in the inaugural Most Beautiful Books—Australia & New Zealand (MBBANZ), nominated for Artist Book of the Year in Rob Pruitt’s Art Awards, and in 2014 received the Förderpreis in the Walter Tiemann Prize presented by Verein zur Förderung von Grafik und Buchkunst Leipzig.

The second edition is printed at 90% scale of the first edition, has sixteen new dust jacket/cover combinations and still includes texts by Peter Eleey, Michel Leiris, Gertrude Stein and Jack Spicer, alongside the first comprehensive gathering of Connors’ work to date (as of 2012).

Designed by Sinisa Mackovic & Robert Milne.

Jacob Kassay’s canvases are simultaneously painting, sculpture and interactive installation. The exhibition includes a new body of work, in which Kassay continues his dialogue with the traditions of monochrome and colour field painting.

A wooden framework with a selection of canvases embedded within it, each of which is evenly painted and then silver-plated, will be located in the ICA’s lower gallery. The movement of ambient colours and changing light subtly and continuously alter the appearance of the works throughout the day. The wooden structure releases the canvases from their status as single units, combining them into a larger composite installation that functions as both architectural support and environment.

Essay by Peter Eleey and conversation between Jacob Kassay & Matt Williams.