Low Slung
Tom Burr
Published by Kunstverein Braunschweig, Braunschweig & Sternberg Press, Berlin, 2000, 64 pages (colour & b/w ill.), 21 × 27 cm, English / German
Price: €21

Video peepshows, porno theatres, garden pavilions—with subtle insight, Tom Burr (*1963) sheds light upon what is marginalized, or not immediately recognizable. His works, which make reference to Minimal art’s object sculptures, redefine them in current socio-economic “queer” aspects. By acting as an intermediary between formal stringency and socio-political content, Tom Burr’s works overcome Hal Foster’s criticism that Minimal art tended to “handle the viewer as historically innocent and sexually indifferent.” With comprehensive texts and illustrations, this book features an artist who belongs among those who have shaped a new form of institutionally critical art.

With texts from Tom Burr, Carina Herring and Juliane Rebentisch.

#2000 #julianerebentisch #kunstvereinbraunschweig #sternbergpress #tomburr
Anthology Writings, 1991–2015
Tom Burr
Published by FRAC, Champagne-Ardenne & Sternberg Press, Berlin, 2015, 128 pages (b/w ill.), 24 × 33 cm, English
Price: €25

Since the late 1980s, Tom Burr has been reusing appropriation strategies in his art. Not confined to his photographic and sculptural works, they also lend momentum to many of his writings. The artist has created assemblages of personal writings and sources, differing in nature and style, which he has used as both conceptual and aesthetic materials in his oeuvre. Thus, Burr extends his art praxis into the field of writing, and vice versa; art and language cannot be dissociated from each other. At times, the text precedes and anticipates the work; at others, it emanates and results from it; in most instances, it is an integral part of it. Words constitute the work.

#2015 #sternbergpress #tomburr
Straying from the Line
Published by the Schinkel Pavillon, Berlin, 2019, unpaginated (colour & b/w ill.), 14.7 × 21 cm, German
Price: €12 (Out of stock)

Produced on the occasion of Straying from the Line at the Schinkel Pavillon from 13 April–28 July, 2019

Straying from the Line was dedicated to a fundamentally expanded perspective on the multiplicity of feminist tendencies in the art of the last 100 years. Instead of presenting a straight narrative of feminist art as a generation- and/or identity-specific style, the exhibition charted a network of multiple references, drawing connections between aesthetically and politically, geographically and historically heterogeneous perspectives.

Vito Acconci, Lynda Benglis, Dara Birnbaum, Jenna Bliss, Pauline Boudry & Renate Lorenz, Teresa Burga, Tom Burr, Claude Cahun, Ellen Cantor, Tony Cokes, Anna Daučíková, Cosey Fanni Tutti, Nicole Eisenman, Ellen Gallagher, Jef Geys, Guerilla Girls, Barbara Hammer, Eva Hesse, Irma Hünerfauth, Mike Kuchar, Maria Lassnig, Leigh Ledare, Alice Lex-Nerlinger, Klara Lidén, Lee Lozano, Sarah Lucas, Ulrike Müller, Gabriele Münter, Anna Oppermann, Charlotte Posenenske, Tim Rollins & K.O.S., Aura Rosenberg, Betye Saar, Heji Shin, Marianna Simnett, Jack Smith, Nancy Spero, Diamond Stingily, Sturtevant, Martine Syms, Rosemarie Trockel, Anna Uddenberg, Raphaela Vogel, Constantina Zavitzanos & Park McArthur.

#2019 #annadaucikova #barbarahammer #betyesaar #charlotteposenenske #claudecahun #coseyfannitutti #diamondstingily #evahesse #hejishin #irmahunerfauth #jacksmith #jefgeys #leelozano #lyndabenglis #parkmcarthur #rosemarietrockel #sturtevant #timrollinsandkos #tomburr #tonycokes